Poster 1: Poster printed on a printing press at a workshop with Eric Spieckerman.

Poster 2: Poster for a scientific conference supported by the German Federal Ministry of Digital Affairs and Transport and the Rhein-Waal University of Applied Sciences on the topic of integrating Artificial Intelligence into public administration processes.

Poster 3: Hörst du das? (Do you hear it?) A competition poster for the BR RCI insurance company about the dangers of noise in the workplace. The graphic illustrates the different types of noise that can cause permanent damage to a person's hearing. The poster informs that the maximum safe volume threshold for human hearing is 80 decibels.

Poster 4: Project work on visualisation data Information. The poster proves the development, co-operation and production dynamics of classic 2D animation from the beginning of existence until 2024, including countries, titles, production years and co-operative activities. The work consists of a series of posters with different data printed on translucent paper, with a combination of different visual information when superimposed on each other. In addition to the visualisations, a database of almost all cartoons produced since the late 19th century has been compiled.

Poster 5: Something between well-defined geometry and utter destructiveness. Does contrast unite form or does form unite contrast? In psychology, frustration is a common emotional response to opposition, related to anger, annoyance and disappointment. Frustration arises from the perceived resistance to the fulfillment of an individual's will or goal and is likely to increase when a will or goal is denied or blocked.

Poster 6: Re-creation and restoration of the schematic of the OPTONICA RP-9100 screw turntable taken from the user manual, retaining the classic fonts, schematics and translating the image into the medium of the poster.

Poster 7: Experimental poster based on an old photo of my grandfather that I found by chance in the family archive.

Poster 8: Promotional poster for a ‘sneak peek’ screening of the film at a university. The audience did not know what the film was going to be and the campaign was designed for the user's cognitive perception of the advertisement.